Sunday, August 16, 2009

Sails--Original American Sailboat Painting

Recently I was reminded of an afternoon my husband and I spent on the waterfront of Commencement Bay on Puget Sound. Unexpectedly a sailboat race was taking place. It was a delight to watch the abstract patterns created by the sails as they traversed the bay. Translating some of those patterns from my memory to the canvas was fun. This little painting is 6x6 inches on a canvas panel and is one of two small paintings I created yesterday. Today I'm considering transferring some of my ideas to a larger canvas and experimenting with some additional compositions.
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Saturday, August 15, 2009

Golden Morning--American Plein Air Painting

Yesterday morning I had the opportunity to get outside and paint after several days of heavy clouds, thunder storms, and rain. My summer attitude was hiding, so it was good to recover a bit in the fresh morning air. Visiting Fort Steilacoom Park was exactly what I needed. I chose to venture into the natural woodlands for my painting exposition. Light on a tangled tree caught my attention and I set up to paint. The air was fresh from the recent rains. It felt good to paint. When the paint dries on this little 5x7 canvas panel, it will be offered for sale at the Small Impressions Gallery along with some of my affordable canvas panels.
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Friday, August 14, 2009

The Long Road--Original American Landscape Oil Painting

During college, I spent several years living in the Polouse region of Eastern Washington State. It was a big change for me having lived my entire life in the moist coastal region of the Pacific Northwest. The empty grasslands and lack of evergreen trees disturbed me at first, but after a few years, I began to appreciate the beauty of the new landscape. This 18x24 inch landscape painting was inspired by the rolling landscape of Eastern Washington. I began this painting with a small 5x7 inch study to get the design and basic colors established. After determining the design would work, I translated it to the larger canvas. I have been tweaking it for several weeks now, but am finally going to call it quits and stop dabbling. This fall it will be put up for sale at Impressions Gallery or entered it into a regional art show. The small study I used to help me get started on this painting is for sale at the Small Impressions Gallery along with other small 5x7 inch studies.

Thursday, August 13, 2009

River Bed--Original American Mountain Landscape Painting

Today's subject is Mount Rainier in Washington State as seen from the Nisqually River bed when you enter Mount Rainier National Park. The park is full of lovely landscapes and options for landscape painting. This weekend will be an especially good weekend to visit because it is one of the national fee-free weekends where the park admission fees of $3.00 to $25.00 are waived. The weather is predicted to be improving with temperatures in the 70's--not too hot--not too cold, but just right for a comfortable visit. The painting is 5x7 inches on a gessoed hardboard panel. Although it is not yet for sale, I will list it at the Small Impressions Gallery with other small landscape paintings in the future.
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Wednesday, August 12, 2009

Golden--Original Small Landscape Oil Painting


Today's little 5x7 inch painting was inspired by a tree beginning to show its fall colors. Walking in a local park, the sun shone on it in such a way that it is clear autumn is just around the corner. Although I hate to see the long days of summer disappear, this sparkling tree was a relief from the acres of green and high temperatures. When the heavily textured paint dries, I will sell this painting at Small Impressions Gallery along with some of my other small landscape paintings.


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Tuesday, August 11, 2009

Morning Cow--Original Cow Painting

Farm animals have been on my mind lately--perhaps it is the bike riding I've been doing-- passing luscious fields of rubarb, strawberries, and grazing animals of all kinds. Nothing like summertime on a bike to bring out the country in a suburban dweller. This curious cow was certain I didn't belong in her neighborhood. She was painted in oils on a 5x7 inch gessoed hardboard. Her purchase price is $50.00 plus $6.50 for shipping to US addresses. The animal paintings section of my Small Impressions Gallery is where she is residing for the time being. I've been painting all kinds of animals for the last couple of days, so the barn will be filling up soon.

Sunday, August 9, 2009

The New Baby--Original American Piglet Painting

This morning I enjoyed bringing this little fellow to life. He is painted in oils on a recycled 6x6 canvas panel. The texture of the panel was perfect. Beginning with his eyes, every paint stroke brought character to him. When I was finished, it was difficult not to like his cute little face. He sold quickly at my Small Impressions Gallery at Etsy.

Saturday, August 8, 2009

Bucket of Fish--Original Still Life Oil Painting

Yesterday I took a break from painting landscapes and did a fun little still life. This 8x10 inch oil painting was a delight to paint. The brilliant red of the Snapper especially attracted my attention. With their large eyes and sparkling scales, I couldn't help but have a little fun recreating them with paint. My father used to be a commercial fisherman and I spent many summers with him hauling in the lovely colors of the sea. This painting helps me recall those fond memories.

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Friday, August 7, 2009

Lake Meadow--American Landscape Oil Painting

One of the sights that I find most beautiful when I'm out and about in rural areas is the subtle colors of a meadow. If I look closely it becomes clear that those meadows really aren't just green as they might first appear. Instead there is a multitude of subtle colors--wild grasses and flowers. One of my challenges as a painter is to create a painting that displays those subltlties. This 8x10 inch oil painting is my latest attempt at painting one of those beautiful meadows.
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Thursday, August 6, 2009

Sunshine Down the Road--Original Small Oil Painting

Today's painting is 4x6 inches on a canvas panel. The title is metaphoric for me because I have recently purchased a pochade box for outdoor painting and I am imagining some happy times painting outside. I'm headed down a new road and expecting to enjoy it. In the summer months I do a lot of bike riding and have always longed to take my painting with me. My supplies and portable tripod fit nicely into a backpack, so I will take them with me when scenic destinations are on the agenda. This little 4x6 inch oil painting has sold, but other small paintings are for sale at the Small Impressions Gallery . An don't forget to check out more affordable canvas panel paintings.
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Wednesday, August 5, 2009

Bounty--American Still Life Oil Painting


While I'm continuing work on my Oaks on the Road painting, my backyard harvest is beginning to arrive on my kitchen table. I love the colors of fresh produce--red, green, yellow--mother nature really knows how to serve up her beauty. This 8x10 inch oil painting was fun to paint with the splashy red tomatoes, fluid green of corn husks, and the papery skin of the onions. This painting is now for sale at Impressions Gallery for $125.00 plus $12.50 to US addresses. If you live outside the US and are interested in purchasing this painting, please e-mail me.
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Tuesday, August 4, 2009

Getting Bigger--Landscape Painting Work in Progress

For the past few of days I've been working on scaling up my oak tree painting. Here is a work in progress shot after the first day of painting. The basic design and the underpainting are going well on an 18x24 inch canvas.




Working the second day, I focused on shaping the trees and begin a little more work on the road and the grass. Here's the painting after the second day of work:

Still not finished; I will keep refining today and be finished in another day or so.
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Monday, August 3, 2009

Oaks on the Road--Original Landscape Oil Painting

Today's study is a 5x7 inch oil based on the White Oak trees that populated my neighborhood as I grew up. Until I moved away from home and added some experience to my life I didn't appreciate these towering beauties. They are very slow growing and it takes about 20 years of growth for them to produce acorns. As a child we probably had 15 or 20 of them in our yard. My parents used to pay me five cents to fill a coffee can with acorns picked up from the grass so they wouldn't sprout in their manicured lawn. In the fall the trees produced mountains of leaves that we had to rake up and dispose of. It was an arduous task. The fallen leaves are not colorful like those of a maple trees, but a drab brown and take years to decompose. In our suburban neighborhood with a quest for green lawns, the trees were unpopular. My parents as well as many of our neighbors were removing trees all the time to reduce the amount of yard work they produced in their suburban landscape. Everytime my parents cut another one down, I felt some regret, but only as an adult, with so many of these giant beauties disappearing from the earth do I feel the greatest sadness. There are still some of these trees in local parks, but with their slow-growth habits and the continued encroachment of suburban sprawl, I worry that the giants I knew as a child will cease to exist. So I will paint them as one paints the portrait of a beloved relative. This study will serve as a study for a larger work I hope to produce. If I could paint one life size, I would be most happy.
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Sunday, August 2, 2009

Garden Shadows--Canvas Panels--Painting Surfaces

This morning's little painting is 5x7 inches on a canvas panel. It is only occasionally that I paint on canvas panels, but they are light weight and are convenient for travelling. The challenge with creating work on a canvas panel is that they are not archival and are subject to warping. I only use them for practice. It would be awful to create a wonderful masterpiece only to find that the humidity has warped the painting and it won't sit squarely on a wall, in a frame, or on an easel. Usually I paint on gessoed hardboard panels or streched canvas. The hardboard panels are sturdy and can last a life time. While continued exposure to moisture can cause problems, these panels are much less apt to warp or lose their shape compared to canvas panels. They are my favorite surface for durability. The challenge with hardboard panels is that when paintings increase in size, the panels can become heavy and difficult to hang. Therefore, when I paint larger works, I work on stretched canvas which will also last a lifetime if properly cared for. Sharp objects can pierce a canvas and destroy work, but the lighter weight will make hanging much easier than a heavy hardboard panel. These are some ideas to keep in mind if you are beinning to collect art. A suggestion I will offer if you are considering buying art online is to purchase a small, canvas panel from an artist you like. They are usually less expensive and can give you a sense of the artist's work before investing in larger, more expensive paintings on panel or canvas. This little painting will probably go in the affordable art section of the Small Impressions Gallery at Etsy when it dries. These paintings sell fast because of their economy. They make great little gifts and give a good preview of the artist's skill before purchasing a larger painting. If you are interested in larger work on hardboard panel or stretched canvas, check out Impressions Gallery at 1000 Markets.
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Saturday, August 1, 2009

San Francisco Street--American Cityscape Painting

Usually I prefer to paint in the morning when the light is good and I'm feeling fresh, but yesterday was an unusually busy morning and it took me a good while to get into the studio. When I finally made it to my little work station, inspiration was questionable. Then I remembered that there was a new challenge offered at Karin Jurick's Different Strokes Blog. Opening up the photo for the challenge brought a deep gulp to my throat--how was I going to capture all the frantic activity in the photo? After staring at it for a while, I opened it in my picture viewer and flipped the photo upside down. With it upside down, I couldn't dwell on how I was going to paint cars or buildings or trees. I just painted shapes and colors. When I was just about finished filling the surface, I flipped the photo upright again to see how close I was to the original photo. Surprisingly, though the results were a bit abstract, it did resemble the original. That's when I added a few telephone lines and called it good. Nothing like a good challenge to clear the head. Now I'm off to the studio again. Hope you have a very fine day.

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